<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" xmlns:media="http://search.yahoo.com/mrss/"
		>
<channel>
	<title>Comments for The Rights Exposure Project</title>
	<atom:link href="http://therightsexposureproject.com/comments/feed/" rel="self" type="application/rss+xml" />
	<link>http://therightsexposureproject.com</link>
	<description>Visual media for human rights</description>
	<lastBuildDate>Mon, 26 Nov 2012 06:30:19 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.com/</generator>
	<item>
		<title>Comment on &#8216;Passion, determination &amp; commitment&#8217; &#8211; an interview with Stephen Kelly by lilycatherine</title>
		<link>http://therightsexposureproject.com/2012/11/26/passion-determination-commitment-interview-with-stephen-kelly/#comment-2994</link>
		<dc:creator><![CDATA[lilycatherine]]></dc:creator>
		<pubDate>Mon, 26 Nov 2012 06:30:19 +0000</pubDate>
		<guid isPermaLink="false">http://therightsexposureproject.com/?p=2557#comment-2994</guid>
		<description><![CDATA[Interesting post!]]></description>
		<content:encoded><![CDATA[<p>Interesting post!</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Granito: Every Memory Matters by Application_week03_Skylight picture &#124; Yu-Ting Feng</title>
		<link>http://therightsexposureproject.com/2011/01/11/granito-every-memory-matters/#comment-2964</link>
		<dc:creator><![CDATA[Application_week03_Skylight picture &#124; Yu-Ting Feng]]></dc:creator>
		<pubDate>Wed, 19 Sep 2012 00:23:30 +0000</pubDate>
		<guid isPermaLink="false">http://therightsexposureproject.com/?p=2070#comment-2964</guid>
		<description><![CDATA[[...] Granito:Every Memory Matter [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Granito:Every Memory Matter [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on &#8216;Why Produce and Collect Photos Not to Show them?&#8217; by Yoshino</title>
		<link>http://therightsexposureproject.com/2009/05/27/why-produce-and-collect-photos-not-to-show-them/#comment-2932</link>
		<dc:creator><![CDATA[Yoshino]]></dc:creator>
		<pubDate>Tue, 05 Jun 2012 20:39:57 +0000</pubDate>
		<guid isPermaLink="false">http://therightsexposureproject.com/?p=192#comment-2932</guid>
		<description><![CDATA[Gurjit Pandher - James,I was looking thorguh your website and saw Raju Dhanda&#039;s Sangeet pictures.  My daughter is the one with her face/cheek resting on her hand.  I love that picture amazing.  Please let me know how I can get a copy.  Thank you amazing pictures.  Colors are so vivid.Gurjit]]></description>
		<content:encoded><![CDATA[<p>Gurjit Pandher &#8211; James,I was looking thorguh your website and saw Raju Dhanda&#8217;s Sangeet pictures.  My daughter is the one with her face/cheek resting on her hand.  I love that picture amazing.  Please let me know how I can get a copy.  Thank you amazing pictures.  Colors are so vivid.Gurjit</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Wolfgang Tillmans photos of Haiti for Christian Aid by Cat Laine</title>
		<link>http://therightsexposureproject.com/2011/01/11/wolfgang-tillmans-photos-of-haiti-for-christian-aid/#comment-2929</link>
		<dc:creator><![CDATA[Cat Laine]]></dc:creator>
		<pubDate>Tue, 05 Jun 2012 03:19:16 +0000</pubDate>
		<guid isPermaLink="false">http://therightsexposureproject.com/?p=2077#comment-2929</guid>
		<description><![CDATA[Hmm, it sounds like an example of the art buyer, in this case Christian Aid, not understanding how to hire the right photog for the job. That&#039;s how just Wolfgang Tillman shoots. His style IS the &quot;snapshot aesthetic&quot;. If they wanted something that looked like proper reportage or National Geographic, they should have hired a photojournalist or a travel photographer.]]></description>
		<content:encoded><![CDATA[<p>Hmm, it sounds like an example of the art buyer, in this case Christian Aid, not understanding how to hire the right photog for the job. That&#8217;s how just Wolfgang Tillman shoots. His style IS the &#8220;snapshot aesthetic&#8221;. If they wanted something that looked like proper reportage or National Geographic, they should have hired a photojournalist or a travel photographer.</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Nayantara Gurung Kakshapati &#8211; &#8220;I was just interested in telling stories.&#8221; by Sara</title>
		<link>http://therightsexposureproject.com/2012/05/25/nayantara-gurung-kakshapati-i-was-just-interested-in-telling-stories/#comment-2927</link>
		<dc:creator><![CDATA[Sara]]></dc:creator>
		<pubDate>Fri, 25 May 2012 07:33:14 +0000</pubDate>
		<guid isPermaLink="false">http://therightsexposureproject.com/?p=2543#comment-2927</guid>
		<description><![CDATA[Excellent interview and great photos - love the was they were taken to the streets last week for the gathering - photo circle is doing lots of really important work - thanks for covering this]]></description>
		<content:encoded><![CDATA[<p>Excellent interview and great photos &#8211; love the was they were taken to the streets last week for the gathering &#8211; photo circle is doing lots of really important work &#8211; thanks for covering this</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on &#8216;People War’ – Photographs of War to Promote Peace in Nepal by Nayantara Gurung Kakshapati &#8211; &#8220;I was just interested in telling stories.&#8221; &#171; The Rights Exposure Project</title>
		<link>http://therightsexposureproject.com/2009/04/23/%e2%80%98people-war%e2%80%99-%e2%80%93-photographs-of-war-to-promote-peace-in-nepal/#comment-2926</link>
		<dc:creator><![CDATA[Nayantara Gurung Kakshapati &#8211; &#8220;I was just interested in telling stories.&#8221; &#171; The Rights Exposure Project]]></dc:creator>
		<pubDate>Fri, 25 May 2012 02:05:57 +0000</pubDate>
		<guid isPermaLink="false">http://therightsexposureproject.com/?p=113#comment-2926</guid>
		<description><![CDATA[[...] a great deal, but the focus has either been on sadhus, temples, mountains, or more recently the armed conflict. Was the &#8216;Constant Change&#8217; photo project an attempt to get away from [...]]]></description>
		<content:encoded><![CDATA[<p>[...] a great deal, but the focus has either been on sadhus, temples, mountains, or more recently the armed conflict. Was the &#8216;Constant Change&#8217; photo project an attempt to get away from [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Participatory photography – Jack of all trades, master of none? by Nayantara Gurung Kakshapati &#8211; &#8220;I was just interested in telling stories.&#8221; &#171; The Rights Exposure Project</title>
		<link>http://therightsexposureproject.com/2009/08/05/participatory-photography-%e2%80%93-jack-of-all-trades-master-of-none/#comment-2925</link>
		<dc:creator><![CDATA[Nayantara Gurung Kakshapati &#8211; &#8220;I was just interested in telling stories.&#8221; &#171; The Rights Exposure Project]]></dc:creator>
		<pubDate>Fri, 25 May 2012 02:05:52 +0000</pubDate>
		<guid isPermaLink="false">http://therightsexposureproject.com/?p=375#comment-2925</guid>
		<description><![CDATA[[...] first met Nayantara Gurung Kakshapati when I was exploring participatory photography in Nepal in 2009. Since then we have worked together on the issue of human rights abuses committed [...]]]></description>
		<content:encoded><![CDATA[<p>[...] first met Nayantara Gurung Kakshapati when I was exploring participatory photography in Nepal in 2009. Since then we have worked together on the issue of human rights abuses committed [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Sophia Spring on &#8216;Sweet Salone&#8217; by &#8216;Forty Two&#8217; &#8211; Lee Karan Stow &#38; the Women of Sierra Leone &#171; The Rights Exposure Project</title>
		<link>http://therightsexposureproject.com/2011/02/18/sophia-spring-on-sweet-salone/#comment-2905</link>
		<dc:creator><![CDATA[&#8216;Forty Two&#8217; &#8211; Lee Karan Stow &#38; the Women of Sierra Leone &#171; The Rights Exposure Project]]></dc:creator>
		<pubDate>Mon, 30 Apr 2012 04:37:30 +0000</pubDate>
		<guid isPermaLink="false">http://therightsexposureproject.com/?p=2180#comment-2905</guid>
		<description><![CDATA[[...] more on photographing Sierra Leone see my interview &#8216;Sophia Spring on Sweet Salone&#8216;. Share this:StumbleUponDiggRedditMoreFacebookTwitterEmailLike this:LikeBe the first to like [...]]]></description>
		<content:encoded><![CDATA[<p>[...] more on photographing Sierra Leone see my interview &#8216;Sophia Spring on Sweet Salone&#8216;. Share this:StumbleUponDiggRedditMoreFacebookTwitterEmailLike this:LikeBe the first to like [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Participatory photography – Jack of all trades, master of none? by &#8216;Forty Two&#8217; &#8211; Lee Karan Stow &#38; the Women of Sierra Leone &#171; The Rights Exposure Project</title>
		<link>http://therightsexposureproject.com/2009/08/05/participatory-photography-%e2%80%93-jack-of-all-trades-master-of-none/#comment-2904</link>
		<dc:creator><![CDATA[&#8216;Forty Two&#8217; &#8211; Lee Karan Stow &#38; the Women of Sierra Leone &#171; The Rights Exposure Project]]></dc:creator>
		<pubDate>Mon, 30 Apr 2012 04:37:25 +0000</pubDate>
		<guid isPermaLink="false">http://therightsexposureproject.com/?p=375#comment-2904</guid>
		<description><![CDATA[[...] photography can play in engaging communities and, in some circumstances, generating income (see my article &#8216;Participatory Photography &#8211; Jack of all trades, master of none?&#8216; for more on [...]]]></description>
		<content:encoded><![CDATA[<p>[...] photography can play in engaging communities and, in some circumstances, generating income (see my article &#8216;Participatory Photography &#8211; Jack of all trades, master of none?&#8216; for more on [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>Comment on Do Duckrabbit&#8217;s ads for Oxfam match their rhetoric? by Rob Johns</title>
		<link>http://therightsexposureproject.com/2012/04/21/do-duckrabbits-ads-for-oxfam-match-their-rhetoric/#comment-2894</link>
		<dc:creator><![CDATA[Rob Johns]]></dc:creator>
		<pubDate>Sun, 22 Apr 2012 21:52:30 +0000</pubDate>
		<guid isPermaLink="false">http://therightsexposureproject.com/?p=2502#comment-2894</guid>
		<description><![CDATA[I think your comments are a little unfair. As you yourself say, the ads are aimed at raising funds in the UK and present a unique perspective from individuals who donate money to Oxfam. They are ads and not a documentary film and need to get the message across quickly. Whilst it is correct to give the people in the developing world a voice nonetheless a common sense approach should also be applied and for many reasons it may not always be possible or necessary. How would hearing the voices of the recipients add to the message already conveyed? Works for me. I’m not one for political correctness for the sake of it.]]></description>
		<content:encoded><![CDATA[<p>I think your comments are a little unfair. As you yourself say, the ads are aimed at raising funds in the UK and present a unique perspective from individuals who donate money to Oxfam. They are ads and not a documentary film and need to get the message across quickly. Whilst it is correct to give the people in the developing world a voice nonetheless a common sense approach should also be applied and for many reasons it may not always be possible or necessary. How would hearing the voices of the recipients add to the message already conveyed? Works for me. I’m not one for political correctness for the sake of it.</p>
]]></content:encoded>
	</item>
</channel>
</rss>
