One Day In Port-Au-Prince

Disasters generate a great deal of images. The earthquake in Haiti last January was no different. This project by AlertNet stands out as one of the better pieces. Why? It credits the audience with some intelligence by presenting a selection of diverse (12) stories in all their complexity. It does not preach, manipulate or push corporate NGO messages down your throat. All good things. It even allows you to send messages to those people featured, though I am not sure what purpose that serves? Any way…

Check out David Campbell’s blog for more on how the earthquake was covered by the media.

Wolfgang Tillmans photos of Haiti for Christian Aid

The BBC News site showcases Wolfgang Tillmans’ photos of Haiti taken for Christian Aid. A serious case of ‘celeb’ photographer not delivery the goods?

I seriously wonder what Christian Aid were thinking when they commissioned these photos? That just because Tillmans won the Turner Prize it would attract much needed attention to the continuing need to support the people of Haiti one year after the quake? Surely a compelling collection of images that told personal stories from across the country would have done that, no matter who took them? Images that were invested with time and knowledge. What we have here could have been collected by a  development worker who was relatively competent with a camera over a couple of days. Sorry Wolfgang and Christian Aid but you get a C-.

Inside Kroo Bay with Save the Children

Ever since I came across the website ‘This is Kroo Bay’ last year wanted to learn more about how such a comprehensive and innovative approach came about. Well, thanks to Rachel Palmer, Photography & Film Manager at Save the Children UK I got what I wanted.

‘This is Kroo Bay’ needs to be seen – it is full of photos, stories, video and marvellous interactive 360 degree panoramas to explore. There are in fact two Kroo Bay sites, as Rachel explains below. Both are worth your time and raise the bar in regard to the use of multimedia / interactive websites by NGOs.

Many thanks to Rachel for responding so well to my inquiries and providing an insight into the use of visual media by an INGO.

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Hi, I’m Rachel Palmer and I’m the Photography and Film manager at Save the Children UK. I manage the film and photo team who deliver all the film and photo assignments at Save the Children. This includes covering our development work, work responding to disasters, our campaigns or fundraising work. I developed the concept for ‘Kroo Bay’ and produced the site working with Anna Kari and Guilhem Alandry, who has produced a great deal of panorama work in the past.

With the ‘Kroo Bay’ site we wanted to push the boundaries of how an interactive experience could  place our programme work in the homes of our supporters, to give them a  ’ real life ’  experience  of a community in Africa  through cutting edge multimedia technology. The idea was to allow them to explore the world and lives of the people they are supporting with Save the Children,  to really connect them with the issues and dilemmas they face .

We chose Kroo Bay, a slum in Freetown, for this project because it ’ s one of the worst places in Sierra Leone ,  a country that ’ s officially recognised as the toughest place in the world to be born. 1 in 4 children die before their fifth birthday. They die from diseases we know how to treat and prevent ,  diseases like malaria, cholera and pneumonia.

We chose to work with Anna Kari and Guilhem Alandry on this project. Anna has worked for Save the Children on a number of assignments previously and always produced high quality, emotive images that have been very effective in our campaigns. I saw Guilhem’s 360 images in an exhibition he held and was very impressed. We got talking about a multi media project he and Anna had worked on in Glasgow using these 360 degree images, sound and photography. Concurrently at Save the Children we were exploring ways of bringing our supporters closer to our work without actually taking them on visits and I thought there must be something creative we could do with the concept Anna and Guilhem had developed. We met up and discussed possibilities and I pitched the idea to the Head of Communications at Save the Children. It all went from there!

The project has enabled people to connect with our work in a new and more meaningful way, helping us create deeper relationships with  our supporters.  I think it’s been a very successful way of demonstrating a sense of place but also a way of communicating the richness of community life, the highs as well as the lows. So often we only have the opportunity to show the ‘need’ of the people we work with and aren’t able to show the complexities of their lives. This project has given us the opportunity to explore experiences that connect people from across the world – such as children’s passion for football, mother’s hopes for their unborn child, the different hairstyles and fashions found in Kroo Bay. We’ve found it particularly successful within the classroom environment when teachers have used it as a means to engage their pupils with development issues.  There’s been some fantastic feedback on the ‘Kroo Bay’ message board.

Although the webisode updates are less frequent than they were in the first year of the site launching we’re still doing updates when it fits with what’s going on in the community and with other campaigns that we’re running. We also have the news feed where we post news that’s relevant to the community.

We have done a similar project in Liberia – ‘This is Kingsville’ – which was done in conjunction with the Sunday Times. We have also used the technology we developed for the Kroo Bay site to be able to do one off interactive panoramic scenes to report back on the situation for children in disaster situations such as Haiti.

The reason there are two ‘Kroo Bay’ sites is because Anna and Guilhem wanted to create their own that was based on the same concept but didn’t have all the functionality – such as campaigning and donating. We were happy for them to do that even though the work used on their version was done for Save the Children because we feel it’s more important to engage people in overseas development issues as broadly as possible.

You can check out the Save the Children ‘This is Kroo Bay’ site here. And Anna and Guihem’s version here.

Mexican lawyers use video cameras to free man

In my experience lawyers are not usually that open to the impact visual media can have on improving human rights. Don’t get me wrong, some of my best friends and colleagues are lawyers and they know all the technical stuff that baffles my brain. However, unless I come to them with  some forensic photos they are not so interested. So, you can imagine how excited I was to see this story on two Mexican lawyers who successfully got a murder conviction against an innocent man overturned by filming his re-trial.

A Great Story

Layda Negrete and Roberto Hernández took the case of Antonio Zuñiga, a street vendor who was arrested for murder while out for a walk in December 2005. Antonio had been convicted but the lawyers managed to get a retrial because his original lawyer was a fake! Knowing that the system was a bit rubbish they asked if they could film the trial, which turned out to be no better than the first, upholding the conviction of Antonio!

However, with video footage in hand they approached the appeals court who were so shocked by what they saw they over turned the conviction. But that was not all, Negrete and Hernández went on to make several films and presentations using trial and interview footage combined with research data to demonstrate the failings of the justice system and need for reforms. With this they helped lobby for constitutional changes by showing them to key decision makers and those with influence, eventually achieving success in June 2008.

The documentary, ‘Presumed Guilty‘, about Zuñiga’s trial was funded by the Hewlett Foundation.

hewlett foundation_logo

The film provided a very powerful platform for the research data itself,” said C. R.  Hibbs, program officer and managing director for Mexico for Hewlett’s Global Development Program. “It provided much wider impact than we would be able to get from funding the research alone.”

More than an illustration

So often in my work with researchers and legal professionals I find that photographs are seen as an added extra. Nice, but not necessary – good for the cover of a report or inside to break up the text. Video can be useful for testimony but is rarely gathered. What strikes me about this story of the two Mexican lawyers is they recognised the fundemental power of communication tools – they asked themselves the question, ‘what is the best way for us to get our message across?‘ They had a load of research data, and most would have been happy with that, displayed in a dry PowerPoint presentation or briefing document. But they focussed on impact, and for that they knew the value of real world examples delivered by those people whose lives were touched. And it worked.

When researchers are snowed under trying to gather information and communicate with contacts around the world they are understandably not so open to trying new things without knowing their utility. Equally, managers trying to run their programmes with limited budget are not going to fork out substantial amounts on untested techniques. In my view what is lacking is not the will or imagination, but the insight, examples and support in order for people to know what is available and how it can work.  Only then can they make informed and innovative decisions. This support needs to be institutional, in an NGO, otherwise it will always come down to individual’s knowledge of what is possible. Training for staff on how video, photography and other visual media is and can be used would go a long way to improving the way these tools are used in social activism.

This could include basic training for researchers and campaigners on how to use cameras and camcorders; how to plan the communications for your campaign, including working with professional photographers and film makers; what tools are available and how they can be delivered (especially via the internet); and basics on ethics, visual language, consent and representation (includng the use of participatory methods).

Get all that up and running and I think you may be on to a winner.

Thanks to the excellent Wronging Rights blog for bring this to my attention. For more on this story click here.

Hope: Living & Loving with HIV in Jamaica

Hope Jamaica

This is a fantastic, touching, informative and humane multi-media website about living with HIV in Jamaica. It is produced by the Purlitzer Centre On Crisis Reporting and has picked up a couple of awards already. Focussing on a group of individuals living with HIV as well as those who work with them, the site contains photos and video, including interviews. However, the most compelling aspect of the site is the slideshows set to the poems of Kwame Dawes. Some are even set to music (by Kevin Simmods). Photos featured on the site are by Josh Cogan, video by Doug Gritzmacher, and the website is by Bluecadet.

All together a fantastic example of what you can do with multi-media to dissolve the distance between people, presenting individual lives along side policy facts.

The Uses of Photography – Daniel Hernandez-Salazar

An interesting post on the Politics, Theory & Photography blog that looks at how the photographic piece ‘Esclarecimiento‘ (‘Clarification’) by Guatemalan photographer Daniel Hernandez-Salazar has be used and appropriated in social activism.  From the polyptch’s use on the cover of the Catholic Church’s report for the recovery of historical memory (marking the violations of the civil war), to street protests, and the use of one of the photos (‘Para que Todos lo sepan‘ – ‘So That All Shall Know’) on street posters and at other locations of violence worldwide.

What strikes me most is that a piece of photographic art was used on the report cover. I can’t say I have seen this done much. Usually, we get a photo-journalistic / documentary style image plonked on the cover, which is quickly forgotten and has no further use. Yet the photos by Daniel Hernandez-Salazar appear to have become quite symbolic, been appropriated for other causes and gained longevity. Photo-journalistic images have dominated human rights campaigning, with their ‘witnessing‘ style, and there is no denying their usefulness. However, horses for courses, they are used far too frequently when other styles would be more appropriate. They are also often used without much thought – scattered amongst the pages of a report to break up the text to make it easier on the eye. Again, we need to go back to what we are trying to communicate, and use the most appropriate tools for this. More though, more resources.

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