A Developing Story – will you help?

05/12/2009

Below I am re-posting in full an article from a new website called ‘A Developing Story‘ Benjamin Chesterton (of duckrabbit fame) and John Bennett (master of all things Web). The article lays out the aims of the site and makes a call for contributions. On that note, I have agreed to be a contributing editor on human rights for the site, and look forward to meeting you there as well as here on The Rights Exposure Project in 2010.

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A Developing Story, a new website, which duckrabbit has helped get up and running, has been born:

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Hopefully the title reflects our desire to create an open space on the web in which stories and images that explore the richness and complexity of an unequal world can find a home.

We will also be campaigning for the unshackling of the intellectual copyright of ideas that can save lives (contrary to popular belief this does not mean pushing photographers to release their work under creative commons licenses, nor will the photographs published on A Developing Story be subject to creative commons unless the photographer makes this request)

duckrabbit will be showing  A Developing Story off to 250 students next Friday at Amnesty International’s international student conference as part of a panel on journalism that we’re taking part in.

Some terrific writers have already agreed to sit on the editorial board, including David Campbell, whose writing on photography, representation and economics is increasingly influential and also Rob Godden who runs The Rights Exposure project.

A Developing Story is centred on the idea of bringing together a community, outside of purely academic circles, who want to have a strong voice on how stories about this unequal world are told. We want you to become a part of that.

If you have a blog and you like the site please consider adding a link to adevelopingstory.org . Even better, give us a nod as Matt from DVA photo has done here.  Follow adevstory on twitter. Better still, some of you many want to contribute to the site.

Essentially we’re looking for:

1. people who can source materials for the front page.

2. writers for the blog (who have a specialism in the field of development).

3. a number of picture editors to run the big picture area of the site, where we will bring to the attention of  NGO’s photographers from both sides of the unequal world.

4. professionals working in the field of development communications who can help us source and develop training materials.

Why adevelopingstory.org?

Recently duckrabbit ran a focus group with 12 students from Birmingham City University. They were asked to reflect on a video we have produced in collaboration with MSF. The video featured the voices  and photographs of people from a hospital in the Congo. Afterwards one of the students, visibly moved commented:

I’ve never given to Oxfam because of the way they talk to me, but that’s different. It makes me want to do something, because you know it’s true, there’s no bullshit involved, it’s just the woman telling her story.

Oxfam does some really great communication work, but it does show how a simple story told well, in someone’s own words, straight from their own wounded heart, can have an impact.  For duckrabbit it all comes back to telling it  true, to putting the person’s story first, before any other consideration;  giving them a platform to speak, not just to be spoken about. Then people will buy into what you do, because they will trust you.

That’s a first step, but we need to go much further.

Our human right is to have a voice which we can raise up to tell our own stories, not for others to come along and tell and sell our stories for their own profit.    NGO’s communications and fund-raising departments should share the same values of empowering local communities through their work as the people working for these charities on the ground.

What might this shift in the way NGO’s work mean for photographers, particularly international ones?  We believe more meaningful work, in which you don’t just take the pictures NGO’s want, but also work collaboratively with local photographers, over longer periods of time, building up work of greater depth. with lasting impact.

Isn’t that exactly what development should be about?

I saw this model working when I spent time with the acclaimed photojournalist Jack Piccone in Kenya last year.  I don’t think Jack fired off a shot the whole time he was there, but the training that he provided has had a lasting impact with one of his students winning a POYi award and being nominated for an Amnesty International award. More importantly even though Jack and myself have long since moved on from Kenya, the work still endures.  That’s a photographer (Jack) having a real impact, not just some egotistical bullshit about wanting to take photos to save the world!

THANKS

duckrabbit


Nuru – the worst development video ever?

18/11/2009

OK, I admit to being a bit bored today so excuse my venom. However, this promo has got to rank in at least the top 5 worst videos for social activism I have seen this year, and I have seen a lot of tosh.

You can watch the video here.

Nuru claims to be ‘doing development differently’. Now, development is not my field, and I am not questioning their motivations or even whether they have positive impact, but a quick look at their site shows that they do what most international development NGOs do – community participatory projects. Anyway, that isn’t the point. The point is how bad the video is. It goes a bit like this…

Guy in US military sees how crap the world is whilst on various tours of duty – cue various shots of the ‘terrible Third World’ (plus a bit of ‘terrorism’ in the First World) in super fast edit accompanied by the type of metal that US soldiers listen to in their Hummers.  Marine(?) has an epiphany in Iraq and sets up his own NGO. The world is getting better, cue happy people and music . The End.

This video manages to squeeze in overtly negative imagery, using what has been termed the ‘shock effect‘ that looks to stimulate so-called ‘grand emotion‘, firing ‘pity‘ and ‘indignation‘ to create activism. It then goes to the other extreme and blasts us with overtly positive imagery (when the NGO arrive), firing ‘empathy‘ and ‘gratitude‘, in the ‘commodification of solidarity‘.  In doing so it suppresses the complex dimensions of development and thus distorts the limits of such interventions.

Too harsh? Maybe. After all it is just a promo video, and these tend to be the most easy to criticise. But personally speaking the world I see, sitting in one of the Least Developed Countries, is not like this. I think we would all be better off with a far more nuanced and realistic picture of the world. But maybe the guys at Nuru have it right, maybe an MTV style approach is what is needed to get through to their target audience? The trouble with looking at audiences in this way (pitching at what they know) is that we never move on to a more informed way of looking at the world, and that is a pity.

For more on humanitarian communication I recommend ‘Post humanitarianism: Humanitarian communication beyond a politics of pity’ by Prof. Lilie Chouliaraki at the LSE / POLIS (UK).

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‘Lazy Advocacy’, taking the piss out of advocacy vidoes, and that bloody MSF video again!

30/08/2009

Two interesting posts on NGO advocacy on the Aid Watch blog. Check out ‘How to Make an Advocacy Video about Africa’ for a sarcastic critique of NGO communications here. This is followed by more sarcassim on how the controversial MSF cinema ad complies with their piss-take here. The comments that follow are better than the actual post. Plus ‘Enough of Lazy Advocacy’ here on the In Development blog which is rather more thoughtful.


LSE podcast – ‘The Future of Picturing the World: filming and imaging in a global era’

22/07/2009

How are film and photography used in humanitarian work changing? Is so-called ‘compassion fatigue’ causing NGOs and photojournalists to re-think how they represent ‘poverty’ and ‘human rights’?

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A podcast of the discussion – ‘The Future of Picturing the World: filming and imaging in a global era’ – is now available here.

Of particular interest is the presentation by Professor Lilie Chouliaraki from the Department of Media and Communications at LSE, who outlines the arguments in her latest paper on a ‘post humanitarian sensibility’. Other speakers include; Max Houghton, editor of Foto 8 and course leader in the MA Photojournalism course at Westminster University; Renzo Martens, video artist; and Julian Stallabrass, reader at The Courtauld Institute. The discussion is chaired by Dr. Paul Lowe.